Yesterday I wanted to play around more with lighting as I have not done that so much with my photography yet. I wanted to stick with black and white as I like creating S curves with it and bringing up details on the face and shadows. Here are my best photos from yesterday:

With this photo, I used two side lights to illuminate the edges of Tessa’s face but leave shadows around the nose and eyes. I like the way her cheeks are lit up but the centre of her face is darker- it gives it a spooky feel. I tried not to have too much blank space in this photo as I wanted the focus to be on the top half of Tessa.

This is my favourite photo from my shoot. I love how the light is purely on Tessa’s skin and how it outlines the shape of her face. The way her hair and body then blend into the background also works very well, placing all of the attention on the face. I just used one side light in this photo as I wanted to achieve the effect where you get a distinct face outline, a bit like in this photo by Andrew Weekes:

I really like the half light, half dark side of this photo, making it appear as though Tessa’s face is split. The half side angle also works well as you can see her expression better in this photo.

I like the closeness of this photo and the way Tessa is looking at the camera – it makes it more personal. I like how her eyes glow as it is quite a dark photo and it really draws your own eyes in.

I have edited all of these photos a little, creating slight S curves on them and turning up the contrast and brightness a little. I am pleased with the outcome and will definitely be using some of these for my hand-in.

Here are some of the portraits from my first studio session:

• The lighting looks nice in all of them and is not too harsh or soft.
• Both eyes appear to be in focus in all of the photos.
• I tried to fill the photo with Tessa instead of having a lot of blank space above her head.
• I like the eyes looking into the camera as it draws your own eyes in more and I feel eyes are the most important feature on a face.
• The neutral clothing works well as it does not detract attention from the face.

Here is one of the photos edited:

I am trying to go for the dark, sinister and gritty look to my photos. I feel Tessa looks as though she has come from underground in this photo but I love how her eyes look piercing. I am not sure if it is too dark and may have to get some opinions on it before I submit this photo though.

In terms of portraiture, I really like the gritty, grainy, dirty looking black and white photos. After talking to someone on the graphic design course at Lincoln, they told me about a photographer called Andrew Weekes who takes beautiful portraits of often very famous people.

Since typing this first paragraph and saving it, Andrew came in and did a workshop with our class. His story of photography from war to schools is amazing and here are some of his portraits from his black and white series that I like the most:

• I love how close and detailed these portraits are
• You need an interesting face with wrinkles or freckles to make photos like this interesting
• I love the man’s eyes in the photo – they are all bright and full of life
• The black background works well as a contrast with the face
• I think Andrew made an S curve to create these

I like this photo as it is different from the rest. The way Ed is looking into the light seems to be metaphorical with him facing the cameras and light whilst he was the leader for Labour. I also like how you can just make out the back of his head but apart from that, it is just his face and suit that are in the light. It is quite a dark photo, I presume with only one front light used, but it is very interesting and definitely something I will try.